Threat

  HUGH FRASER

  urbanepublications.com

  First published in Great Britain in 2016 by Urbane Publications Ltd

  Suite 3, Brown Europe House, 33/34 Gleaming Wood Drive, Chatham,

  Kent ME5 8RZ Copyright © Hugh Fraser, 2016

  The moral right of Hugh Fraser to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher of this book. All characters in this book are fictitious, and any resemblance to actual persons living or dead is purely coincidental.

  A CIP catalogue record for this book is available from the British Library.

  ISBN 978-1-911129-75-2

  eISBN 978-1-911129-77-6

  Design and Typeset by Julie Martin

  Cover by Julie Martin

  urbanepublications.com

  The publisher supports the Forest Stewardship Council® (FSC®), the leading international forest-certification organisation. This book is made from acid-free paper from an FSC®-certified provider. FSC is the only forest-certification scheme supported by the leading environmental organisations, including Greenpeace.

  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  1

  London 1961

  I pull the van into a side street off Hoxton Square and park behind a coal lorry. I get into the back of the van, lift up my skirt, unclip my suspenders and slide one stocking down my leg. It gives off a crackle and a couple of sparks as I pull it past my toes and shake it out. I gather the sheer nylon into folds and pull it down over my head. I take a black bonnet out of a hat box, put it on, tie the ribbons under my chin and lower the veil. I undo the ropes holding the old bike against the inside of the van, and put my gun and silencer into the front basket under a folded scarf. Bending into my old lady’s stoop, I open the back doors of the van, lower the bike onto the road and step down beside it. I lock the van, get on the bike and wobble off along Hoxton Street just as dawn begins to break. I got the bike from an old boy in Portobello Market for five bob and I’m finding out I paid too much for the old bone shaker.

  I turn into the street I’m looking for and see the green door of the spieler about halfway along it. I ride past it to a phone box at the far end. I lean the bike against a wall and go into the phone box. I put a threepenny bit in the slot and dial the spieler. After a few rings a bloke answers. I tell him the filth are on their way and put the phone down. I screw the silencer onto the gun, hitch up my long skirt, mount the bike and wait by the kerb. Minutes later the door of the spieler opens and men start filing out. Some get into cars, others hurry along the street in both directions. I see the man I want in a group heading towards Hoxton Street and I pedal in pursuit. As I draw level with him a car comes alongside and blocks my view. I slow down and when it overtakes I get a clear sight of him. I take the gun out of the basket, put three shots into his back and he falls head first onto the pavement. The car stops and his mates scatter. I slip the gun back into the basket, pedal past the car and on round the corner. A bunch of men run past me up Hoxton Street without looking my way.

  I cycle back to the van and stow the bike in the back. I get in, shut the doors, take off the stocking mask and my old spinster outfit and put on a pair of slacks and a sweater. As I sit in the driving seat and start the engine I can hear one of the new sirens whooping away on a police car that’ll be on its way to clean up the scene.

  It’s gone six o’clock and the morning rush hour’s building up by the time I get near to Harlesden. I stop just beyond the Mitre Bridge on Scrubs Lane, take the bike out of the back of the van and chuck it in the canal. I drive on and turn into the cobbled yard where my lock-up is, open up the doors and pull the van inside. I put my gun and silencer in the old safe under the workbench, stuff granny’s clothes into a carrier bag, lock the garage doors and walk across the cobbles to the gate. I go down Scrubs Lane until I see a litter bin, stuff the carrier bag into it and hail a taxi coming the other way. I get in and hope the driver’s not going to talk all the way to Maida Vale. Thankfully he’s half asleep and I sit back and enjoy the clear peaceful feeling I always get after a job.

  The cab turns into the service road in front of my building and I get out and pay the driver. I push open the glass front door. The night porter looks up from behind the mahogany desk in the corner of the foyer.

  ‘Good morning miss.’

  ‘Morning Dennis, still here?’ I say, as I head for the lift.

  ‘I’m off in ten minutes miss.’

  Dennis is old and bald and quite sure I’m on the game, or otherwise up to no good, but he knows it would cost him his job to try and find out so he contents himself with clocking my body whenever I walk across the foyer. He’s out of luck in the leg department this morning as I’m wearing trousers, but my sweater’s quite tight and he’s making the most of what’s on offer. I press the call button and the lift announces itself with a distant clanking and then glides gently into view. Dennis appears beside me and pulls open the metal gate. I step in and give him a smile as I select the fifth floor. He shuts the gate and watches me as I rise out of reach.

  The lift stops and a gent in a bowler hat and a pinstriped suit, carrying a briefcase and a rolled umbrella, opens the gate, bids me a tight-lipped good morning and steps aside to let me pass before he gets into the lift. I walk along the carpeted corridor towards my flat at the far end. I hesitate as I reach Lizzie’s door next to mine. I expect she’s asleep or still at the club where she works, but I can’t help knocking in case she’s in. As I’m about to go to my place the door opens and she’s there, looking beautiful in a baby doll nightie. Her deep blue eyes soften as she reaches for me, pulls me inside and shuts the door. I put my arms round her and kiss her. We hold each other for a moment and she says,

  ‘Been working?’

  ‘Just a bit.’

  ‘Go all right?’

  ‘Yeah.’

  I slip my hands under her nightie and stroke her back. She sighs and I feel her relaxing into me. I say,

  ‘Are you alone?’

  ‘Not quite.’

  ‘What?’

  ‘Lordy’s here.’

  ‘Oh.’

  ‘He won’t be long.’

  ‘Good.’

  ‘Want to have a look?’

  ‘Go on then.’

  We walk along the corridor to her bedroom at the far end and go in. The room’s dark and I reach for the light switch but Lizzie stops me and puts a finger to her lips. She crosses the room and opens a pair of curtains to reveal a large gilt-framed mirror and a view into the bedroom next door which is bathed in a soft red light. A white-haired old man is crawling slowly across the floor. He’s naked except for a studded leather collar around his neck that is tethered to a leg of the bed. His back is criss-crossed with red weals. He strains
against the collar in an effort to get to a dog bowl that is just beyond his reach. As he heaves desperately against his tether, Lizzie turns a dial on the wall next to the mirror and we are treated to the strangled whimperings of the Earl of Dunkaid, deputy leader of the House of Lords and owner of a large part of Scotland.

  ‘Hang on a minute while I go and finish him off, we don’t want him dying on us.’

  She slips off her nightie to reveal a studded black leather bikini, pulls on a pair of black leather thigh boots, and goes to join His Lordship. Through the glass I see her enter the room. She picks a whip up off the bed and lays a few lashes across the old man’s back, then she moves the dog bowl towards him with her foot. He lowers his face into the bowl and laps water from it. Lizzie kneels behind him, forces the handle of the whip into his anus and works it vigorously in and out.

  The Earl of Dunkaid throws back his head and rolls his eyes as his shrivelled penis grows to the size of a small chipolata. Rasping moans of pleasure ooze from his contorted lips as he grips his manhood and works it frantically back and forth. As he approaches a climax Lizzie slips the dog bowl underneath him in time to catch the few pale droplets that flutter towards the carpet. As she moves the bowl towards his mouth I turn away from the mirror, pick up a copy of Woman’s Realm from the bedside table, sit on the bed and start reading an article about Jackie Kennedy decorating the White House.

  Lizzie comes in, puts on a silk dressing gown, sits beside me on the bed and pulls her boots off. She puts her arm round me and says,

  ‘It’s ok, I’ve had a wash.’

  I let the magazine drop and snuggle into her. We lie back on the bed and kiss and hold each other. As Lizzie’s undoing my belt there’s a knock at the door.

  ‘Oh fuck,’ she says.

  The door opens slowly and the Earl’s pale face appears.

  ‘I’m terribly sorry to disturb you my dear but I’m afraid I’ve…’

  Lizzie jumps off the bed, leaps to the door, flings it open, grabs him by the collar and snarls at him. ‘Get the fuck out of here you snivelling little shitbag before I cut your fucking balls off!’

  The Earl drops to his knees and whimpers. ‘Yes, yes, yes, I’m sorry, I won’t do it again, I’m sorry, I’m so sorry.’

  ‘OUT!’

  She hauls him out of the door and along the corridor, barking more abuse at him as he begs for forgiveness. I hear the front door open and slam shut. I’m laughing as Lizzie comes back in with a bottle of whisky and two glasses.

  ‘Silly old thing,’ she says.

  ‘He’s such a turn out.’

  ‘The whole family’s round the twist.’

  ‘Is he ok with you?’

  ‘He’s all right.’

  ‘Have you thought about putting the black on him?’

  ‘Why should I when he keeps me and gives me anything I want.’

  ‘As long as you keep knocking him about.’

  ‘Simple as that.’

  I finish my whisky and stroke her hair. ‘Are you expecting anyone?’

  She shakes her head, pulling me close for a kiss.

  • • •

  I wake up later, slip out of bed and leave Lizzie sleeping. I dress quietly, go to my flat along the corridor and let myself in. There’s a letter on the mat. I pick it up, go into the kitchen and put the kettle on. I open the envelope and take out a card. It’s an invitation to the opening of a club called the Rembrandt in Berkeley Square. It’ll be a casino full of toffs, high-class pimps and easy girls. A few have opened in Mayfair and Knightsbridge since they legalised gambling last year. I chuck it on the table and make myself a cup of Nescafé. The kitchen door opens and my sister Georgie comes in. She goes to the bread bin, takes out a slice of bread and puts it in the toaster.

  ‘You all right?’ I ask.

  She nods, picks her satchel up off the floor, takes out a book and opens it. As she sweeps her dark brown hair away from her face I see how lovely she’s becoming as she grows up, not that she seems to care.

  ‘What’s that you’re reading?’ I ask.

  ‘Jane Austen.’

  ‘What one?’

  ‘Pride and Prejudice.’

  ‘Do you like it?’

  ‘Yeah.’

  I go to the dresser and write down the name of the book. When I was in Holloway on remand I learnt to read properly, which I’d never done at school because of bunking off all the time. I’ve been following what books Georgie’s studying in her English lessons at school. Great Expectations was the last one and I really loved it.

  ‘Do you want a cup of coffee?’

  ‘No thanks.’

  ‘You’ve got an exam today haven’t you?’

  ‘Yeah.’

  ‘What subject?’

  ‘Divinity.’

  She’s in the middle of her mock O levels. She’s only fourteen and the youngest in her class.

  They normally take them at fifteen but her teachers say she’s exceptional. I know how hard she’s worked and I’m so proud of her.

  ‘Do you want a lift to school?’

  ‘No, I’m all right.’

  ‘I’m going to Knightsbridge, I can drop you off.’

  ‘I want to do some work on the bus.’

  She drinks some water from the tap. Her toast pops up and she butters it, folds it over and holds it between her teeth. She puts on her school blazer, packs up her satchel and goes to the door.

  ‘Have you got your dinner money?’ I ask.

  ‘Yeah. Bye.’

  She’s off down the corridor and out of the front door.

  I pick up my coffee cup, go to the window and look at the gardens and the backs of the posh houses up the hill on Hamilton Terrace. I’m remembering the night that bastard Johnny Preston raped Georgie when she was nine, and the blood spurting all over her when I slashed his throat for him. Then our little brother Jack passing a few days after and I think it’s no wonder she’s quiet.

  Jack died of the whooping cough in the hospital and I think she blames herself somehow, even though I’ve told her there was nothing she could have done for him. If anyone’s to blame it’s me for not taking him to the doctor sooner. I undo my belt buckle and press the point into the palm of my hand until the pain kills the memory.

  The phone rings. I rinse the blood off my hand under the cold tap, go into the hall, pick up the receiver and wait. I hear the sound of money being put into a call box.

  ‘Walmer Castle, one o’clock.’

  I put the receiver down, head back into the kitchen, put my coffee cup in the sink and go through to my bedroom. The clock beside the bed says twenty to nine. I take off my sweater and slacks, open the wardrobe and take out a dark blue fitted dress with three-quarter sleeves. I put it on, step into a pair of black leather stiletto heels and select a grey Hermès handbag. I check the effect in the mirror, brush out my bobbed hair and put on light make-up.

  I step out of the front door into the sunshine and walk round the corner into Hall Road. My Mini Cooper’s parked on the other side of the road, facing towards Hamilton Terrace. I cross the road, get into the car, swing a U-turn back to the lights, turn left and join the traffic heading towards Marble Arch. I wind the window down, switch on the radio, and listen to some toff saying how brilliant it’s all going to be with old Macmillan steering the country towards more and more prosperity, as if he’s got the faintest idea of what life’s like for most people. I twiddle the dial and Ray Charles tells him to Hit the Road Jack. An Austin Healey with the roof down pulls up next to me at the lights halfway down Park Lane. The driver’s a good looking young bloke with hair down over his collar and his radio’s tuned to the same station as mine and up loud. He’s smiling at me, tapping the steering wheel and singing along with Ray. A cab driver on the other side of him shouts out, ‘Turn that fucking row down!’

  The young bloke gives him two fingers and turns it up even louder. The cabby gets out, runs round the front of the cab and punches the young bloke in the face. The you
ng bloke grabs the windscreen and tries to pull himself out of his seat while the cabby keeps hitting him and forcing him back down. The lights have changed and horns are blaring behind us. I slip my shoes off, get out of the car, vault over the bonnet of the Healey, grab the cabby by the collar and crack his head against the roof of the cab. He goes down onto the road and the young bloke sinks back into his seat with his head rolling forward. I jump back over the bonnet, get into my car and roar away as the lights go red.

  2

  Tony Farina is a big man in a very expensive suit. He shakes my hand, waves me to a seat on a white leather sofa and pours coffee from a silver pot. He hands me a cup and sits on the matching sofa opposite. I can see the dome of Harrods through the tall window behind him. He looks at me for a moment before speaking.

  ‘You look good Rina.’

  I accept the compliment with a nod and wait. ‘I am losing girls.’

  ‘What do you mean?’

  ‘From my clubs. Seven girls have disappeared in three months.’

  Tony Farina and his brother Luca run most of the clip joints in Soho, as well as a lot of the regular prostitution going on there. They’re well known for keeping order with an iron fist.

  ‘Why are you telling me?’

  ‘I want you to find out what’s happening.’

  ‘That’s not what I do.’

  ‘I know.’

  ‘Then why are you asking me?’

  ‘My people have tried and got nothing. You are not known and can go places a man can’t.’

  He’s not used to being refused when he asks for something. He’s put work my way, pays well and he’s been discreet; but this is not the kind of game I want to get mixed up in as it involves too many people. I’ve always kept my head down and got work through third parties. I met him through Lizzie and he put a couple of hits my way. He’s got a lot of police on his payroll and if I refuse him he could make things difficult.

  ‘I’ll have a look, but I can’t say I’ll get anything.’